RKTKN #3, by Raketkanon

RKTKN #3

by Raketkanon

supported by

Matthew J Kluk I fucking love this album from start to finish. I wish I could have seen them before they called it quits. Damn the CV...

Crypt Guard An album that at times sounds like a waltz-like slow dance, starting out dreamy before turning into a Carpenter-esque nightmare. The machine-like pace of 'Harry' entrances with synth leads and locomotive drumming. Closer 'Mido' conjures an eerie farewell, beginning softly before building atmospheric synth-walls worthy of Roy Batty's final moments.. Raketkanon continue to cultivate their already remarkable dynamic range on RKTKN#3.
FULL REVIEW:
www.crypt-guard.com/home/rktkn-3-raketkanon

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about

**FOR DIGITAL VISIT ALCOPOP RECORDS**

alcopop.bandcamp.com/album/rktkn-3

We’re very proud to be bringing you the brand new Raketkanon album #RKTKN3 (alongside Alcopop! Records) from a
band so legendary on the live circuit, but sounding just as brazen, powerful and (quite
frankly) HUGE on record. Raketkanon are from Belgium, though they don’t sing in Flemish.
Raketkanon speak their own odd language; one of throttled squeals and shouts, meat-
grinder waves of rolling riffs, synth-layered soundscapes, dystopic electronica-laced beats,
and hypnotic grooves.
Raketkanon speak the language of music like you’ve never heard anyone speak it before,
and for their latest record, they’ve learned a whole new dialect.

credits

released April 5, 2019

BSR070

about

Beth Shalom Records London, UK

Beth Shalom Records is a genre-fluid record label based in London, UK. Started by musician, Joe Booley, in late 2014, the label has since supported artists across the globe to release their art to an ever-growing audience. Working with everything from electronic to post-metal, and noise-punk to dream pop, there is no area that BSR cannot reside. ... more

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